Take a journey behind the origin of the Supreme Box Logo with questionable intellectual property practices, a whole lot of irony, and an artist named Barbara Kruger. [14] Kruger is considered to be part of the Pictures Generation.[15]. Because of her bold use of fonts and her short but powerful slogans, the audience never ignores her work. Chacun prononce un monologue d'une incroyable violence, souvent construit à partir de situations entendues. Hyman, Paula E., Moore, Beborah Dash. As a part of the same Performa 17 event, Kruger took over a skate park in Chinatown, produced a limited edition run of MetroCards and printed a series of slogans across a bus in New York. De esta manera consigue utilizar el espacio y cambiarlo a mensaje, y reintroduce la pluralidad dentro del espacio social.

Addressing issues of language and sign, Kruger has often been grouped with such feminist postmodern artists as Jenny Holzer, Sherrie Levine, Martha Rosler, and Cindy Sherman. Marquée par l’industrie culturelle, Barbara Kruger appartient à cette catégorie désignée sous l’appellation d’artistes "politiques" qui apparaît sur la scène new-yorkaise au milieu des années 1980.
Although some of these works were included in the Whitney Biennial, Kruger became detached and unsatisfied with her working output. James Jebbia, founder of Supreme, has admitted that the logo was taken from Kruger's work. 1987. [35] That same year, she designed "Consider This...", an exhibition at the Los Angeles County Museum of Art.

Trois murs séparés par de minces cloisons font face au spectateur. She delivers her messages directly to her audience as she often uses phrases like ’we’ and ’you’ to discuss central issues in society.
Barbara Kruger – Untitled (Let Go), 2004 [32] She has written about television, film, and culture for Artforum, Esquire, The New York Times, and The Village Voice.

By continuing to use our sites and applications, you agree to our use of cookies. [21], In 1994, Kruger's L'empathie peut changer le monde (Empathy can change the world) was installed on a train station platform in Strasbourg, France. The Museum of Contemporary Art, Los Angeles awarded Kruger the MOCA Award to Distinguished Women in the Arts in 2001. Following's the gallery's closure, she moved to David Zwirner Gallery in 2019.

Collection; Blog; or combine terms with Advanced Search. One year later, with architects Henry Smith-Miller and Laurie Hawkinson and landscape architect Nicholas Quennell, she designed the 200-foot-long (60 m) sculptural letters Picture This for a stage and outdoor amphitheater at the North Carolina Museum of Art, Raleigh. While at Parsons School of Design, Kruger studied art and design with Diane Arbus and Marvin Israel, and soon obtained a design job at Condé Nast Publications.
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barbara kruger font

autor: | Říj 14, 2020 | Uncategorized


Barbara Kruger: Paste Up, November 21, 2009 - January 23, 2010, Sprüth Magers Gallery, London. As a result, her work has been replicated hundreds of times by musicians and modern brands, most notably currently being the distinguished skate brand known as Supreme.eval(ez_write_tag([[728,90],'publicdelivery_org-medrectangle-4','ezslot_1',117,'0','0'])); Barbara Kruger – Sunglasses by Freeway Eyewear and ForYourArt, benefitting national arts organizations including the Art Production Fund, the Hammer Museum, LACMA, photo: Give Good Art, Barbara Kruger – Black Sunglasses by Freeway Eyewear, photo: Artware Editions, Barbara Kruger – Untitled (Don’t be a jerk), billboard, Melbourne, Australia, 1996, Barbara Kruger’s work on the exterior of the Beverly Center, 2017. Who is beyond the law?

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