His delivery of "I miss my baby" breaks my heart every single time I watch the film, whereas I never once felt any real sympathy for Jack Torrance (in the movie I mean; the book - which I eventually read - is a different story). Collins’ Crypt: COVID Can’t Stop Horror Trivia. But the hospital lives on in Session 9, which (per the IMDb, don't yell at me if this is wrong) is one of only two films that were ever shot at the notoriously creepy location*, which was old enough to be named the rather un-PC Danvers State Lunatic Asylum at one point, and is rumored to be the birthplace of the pre-frontal lobotomy technique. The Affair Locations The Affair is an American TV drama series premiered on Showtime, created by Sarah Treem and Hagai Levi. Not only would it be a fun passing of the torch, but it'd have the same unsettling effect on attendees as the Overlook while also perhaps helping them discover an underappreciated horror film that I like more every time I see it. Collins’ Crypt: THE EXORCIST Director’s Cut Vs. Will it ever reach the same levels of acclaim as The Shining?
Getting together in bars and comic shops isn't happening - can technology come to the rescue?
Why Session 9 is the scariest film you can watch this Halloween The Wolf of Snow Hollow director-star Jim Cummings talks about his love for, and fear of, the 2001 horror movie. Mary speaks as different characters, and even those are almost all male, including "Simon", the one who committed the murders (of Mary's family) and is the one possessing Gordon in the present. As the boss of the asbestos cleanup crew, he is an easy guy to care about: he's got a wife and newborn daughter that he's trying to take care of while also focusing on his struggling business - an everyman if there ever was one. How THE HAUNTING OF HILL HOUSE Pulled Off That Insane Single-Take Shot | Birth.Movies.Death. An asbestos abatement crew wins the bid for an abandoned insane asylum. The graffiti, the old patient files, the majority of the medical implements - all of that was just lying around, ready to be filmed and used to scare the few horror fans who saw it during its unsuccessful theatrical run in August of 2001.
EDIT: I forgot to mention that another possible non-ghost explanation for Gordon hearing "Hello Gordon" in Simon's voice when he is looking at Mary's room/wheelchair for the first time in the film, is that Gordon may have been a previous patient at Danver's State Hospital, where he met Mary and where he heard her Simon schtick. Stanley Kubrick's adaption of Stephen King's classic novel is rightfully acclaimed, but there's one thing that's bugged me even before I read the book: Jack Nicholson's version of the protagonist is scary even on the drive to the hotel. Like I said earlier, these sort of movies usually focus on a female character (or at least a husband and wife pair), so the all but non-existent female presence makes it not only rather unique, but scarier in a way - when alpha males like John Kelly and Craig McDermott are quickly subdued by the film's villains, what chance do the rest of us have? goes a long way into making that movie effective for me. Watching again, and for the first time in years, I realized I might actually like the film more than The Shining, a similar story about an infamous location's history worming its way into the fragile mind of our protagonist. Probably not.
), and now has received the highest honor a horror film can achieve these days - it's getting its very own Scream Factory release (the first on Blu-ray) with a few new extras to round out the already solid collection (all of the old extras are present on the Blu) and a solid transfer that does justice to the film's "early days of HD" imagery.
I bring up the personal connection this latest viewing offered because the film unnerved me even at 21, without a real job or family to worry about. Severin has unleashed a mammoth boxed set celebrating the cult filmmaker. MOVIES OF ALL TIME. As we learn on the Blu-ray's bonus features, the crew did almost no set dressing - apart from the obvious things they brought to the table (the characters' cleaning equipment, photographs that end up on walls, etc.)
Luckily, it proved to be a hit on video (I saw it for the first time on "glorious" VHS!
However, in Session 9, Simon finally appears and he discovers that he is evil. It's hard to sympathize with him almost from the get-go, let alone by the end, something that does not affect Peter Mullan's Gordon in Session 9. It was not an easy place to get into, and it was even less easy to get around due to its decrepit condition. *The other is Home Before Dark, which I have not seen but from what I can gather from its IMDb and Wiki pages, the hospital is more of a kickoff location for the story, about a woman who LEAVES the hospital and returns to her home life.
And now you're entering spoiler territory, so go the hell away if you haven't seen this movie yet (and shame on you - it's fifteen goddamn years old at this point!).
Anderson and co-writer Steven Gevedon (who also plays Mike, the guy who spends most of the movie listening to the tapes that give the film its name) were smart enough to show all of the guys cracking in their own way - Gordon is the only one who turns violent, but Phil's (David Caruso, in one of his last roles before CSI) paranoia and resentment gets worse over the course of the week, Mike seemingly abandons his work duties entirely to listen to the tapes, and Jeff... well Jeff is just afraid of the dark and the place does that fear no favors, especially when he's trapped in a long tunnel as the lights go out around him (one of the film's few "trailer-ready" scare moments). Will people start coming up with insane theories about Session 9 like they do for The Shining? Great write up. But so what? So when the end of the movie comes and you discover that it's a cracked Gordon that's been offing the other crew members - and not a ghost or former patient or whatever - it's legitimately sad; I know he just murdered five guys who hadn't done anything wrong (including his own nephew), but I still felt bad for the poor guy, sobbing into a broken cell phone and asking his wife - whom we now know he also killed**, along with the baby daughter - to forgive him and let him come home. worked like gangbusters on me. I ain't gonna kill my family or co-workers, far as I know, but I definitely "felt" Gordon more than I ever have in previous viewings - I can definitely see myself talking to a broken cell phone pretty soon if I can't finish unpacking everything and knowing where the hell my clean socks are (OK, I actually found them yesterday - but we moved on Saturday).
In those sadly rare instances, the film can produce the effect that comes naturally to people like my wife, who tensed up at the mere sight of the Blu-ray case when it came in the mail (she frequently cites it as one of the movies that terrifies her - and she once took a trip to the hospital prior to us dating). Brian, aka BC, has been watching horror movies since the age of 6, and twenty years later decided to put it to good use, both as a writer for Bloody-Disgusting as well as launching his own site, Horror Movie A Day, which Roger Ebert once read and misunderstood the points that were being made. I just watched Session 9 for what must've been the 100th time the other day. For once it wouldn't be total bullshit! That leaves the (presumably deceased) Mary Hobbes, the girl on the "session" tapes that Mike listens to, in which she talks to a psychiatrist about something BAD that happened on Christmas some years back. We don't see her at all, just hear about her existence and, in one scene, watch Caruso talk to her on the phone - sans her voice (a necessary device for a later scene where Caruso is accused of never actually talking to her).
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