Maybe that would've been something to justify returning for a third take on a premise that, back in 1988, was already charmingly and self-consciously antiquated. Cast: Anne Hathaway, Rebel Wilson, Alex Sharp, Ingrid Oliver, Nicholas Woodeson Director Chris Addison’s remake of the 1988 Michael Caine-Steve Martin comedy “Dirty Rotten Scoundrels,”—itself a remake of the 1964 David Niven-Marlon Brando comedy “Bedtime Story”—takes a basic formula and gives it a gender swap.

Wilson's Penny Rust is a two-bit grifter, catfishing dudes online and roping them into funding medical procedures for a hot "sister" whose image she probably swiped from Instagram. EMAIL ME If not, it’s off to the next poor schlub. Unlike an “Ocean’s” movie, for example, the steadily building thrill of watching an audacious plan come together piece by piece is not the point. It is the kind of movie you watch on an airplane—perhaps on the way to someplace luxurious and relaxing like the South of France, the film’s setting—while falling in and out of naps. It’s not terrible. One suspects that Wilson, a producer on the film who has written much of her material in the past, plugged several of these put-downs in well after the pic was underway. Those who know Scoundrels can plot out the scenes to come, in which Josephine agrees to teach Penny the art of the high-class con, and they may be happier with their imagined version of the update.

Not Now. Both women put Thomas in their sights, but are surprised to find him totally lacking the lust and egotism that have made their other marks so easy to manipulate. We are dropped into the middle of a scam as the ladies are approaching their latest target with whatever ridiculous costume, accent or backstory they’ve cooked up off-screen. It’s funny, but it also makes zero sense. Nowhere is this truer than in the training montage, as Josephine puts Penny through the paces as if she were preparing her for a future as a Navy SEAL. “The Hustle” does some of that — it pushes no buttons and tests no boundaries — but in the service of a higher cause. The Hollywood Reporter, LLC is a subsidiary of Prometheus Global Media, LLC. But it’s a superficial point, and seemingly more of a chance for costume designer Emma Fryer to dress the striking and statuesque Hathaway in an array of gorgeous designs than anything else. Unfortunately, they also seem to be acting in separate movies from each other and never find the chemistry or groove necessary to make this kind of material truly sing. Log In . A funny-enough retread full of missed opportunities. No Comments. Production companies: Cave 76, Camp Sugar You may know it as Trends.co, Sam Parr’s premium newsletter, ... Trends sends out an email every couple of weeks with highlights from the main group so you can easily keep up with the most popular posts. Reviews The Hustle Christy Lemire May 10, 2019. 9:00 AM PDT 5/9/2019 by John DeFore FACEBOOK; TWITTER ; EMAIL ME; YOUTUBE; A funny-enough retread full of missed opportunities. The randomness of it all can be amusing, but it also makes us less invested in whether they’re able to pull it off.

In Scoundrels, the target was a supposed soap-company heiress played with sweet earnestness by the late Glenne Headly.

Editor: Ant Boys (Imagine Mark Zuckerberg, then imagine him being likable.) Those of us who love Frank Oz's 1988 comedy Dirty Rotten Scoundrels, an elegant dance between the suave and the stupid in which Michael Caine and Steve Martin play con men on the Mediterranean coast — guess which one's suave? Terms of Use | If the scam works, great. The characters say they do what they do to get back at the men of the world who’ve exploited women for far too long.

And The Hustle, directed by Chris Addison, promises to reimagine the nature of high-stakes swindling by having women (the well-cast Anne Hathaway and Rebel Wilson) be the fraudsters, exploiting, as Hathaway's character puts it, men's inability to imagine that a woman is cleverer than they are.

CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3.

© 2020 Guardian News & Media Limited or its affiliated companies. Wh There’s a play on words involving a hotel suite that made me giggle. But what can they do with this script? Screenwriters: Stanley Shapiro, Paul Henning, Dale Launer, Jac Schaeffer •This article was amended on 10 May 2019 to correct the name of Rebel Wilson’s character.

And they’re using traditional notions of idealized female sexuality to do it: Josephine as a sultry sexpot, Penny as the worried sister of a buxom blonde who’s allegedly in danger. They’re simply taking what’s theirs, what’s long overdue. Where “The Hustle” falters most is in the way it misses an opportunity to make an actual statement with its gender-flipped premise.

All rights reserved.

TWITTER Director of photography: Michael Coulter (Though it must be said that Josephine's mod wardrobe, a highlight of the pic, is far more entertaining than the aristocrat's suits Caine wore.) John DeFore Is it screwed up that, in a movie presenting itself as this one does, the only new jokes with bite are those in which one woman tears another down?

| Cookie Settings. Now streaming on: Powered by JustWatch “The Hustle,” a con comedy starring Anne Hathaway and Rebel Wilson, is light and slight and utterly forgettable as soon as it’s over. The Hustle is a gender-switch reboot of the Riviera caper Dirty Rotten Scoundrels (1988), which starred Michael Caine as a smooth Brit swindling rich suckers in the south of France, and Steve Martin as his rackety American rival-slash-partner. “The Hustle” is more scattershot. Casting director: © 2020 The Hollywood Reporter When Josephine and Penny are feeling each other out and trying to one-up each other, it can be good for a laugh here and there. Example of a community highlights email ; Access to premium content.

Always silliness. Nobody would fault her for adding laughs to a comedy. Review.

Hathaway and Wilson are certainly game for whatever comes their way—so much so that you’ll wish they’d been afforded the luxury of material with more bite.

But how might a femme-centric con film have been reinvented if she'd been the scribe, instead of one man adapting a script by another man who was adapting the work of two other men? Posts. I’ve shown examples of most of the premium content above. Production designer: Alice Normington by Privacy | on appeal for crude sexual content and language. 'The Hustle': Film Review. Now it’s Hathaway playing Josephine, the scam maestro with the couture outfits and the supposedly posh “English” accent. Sitemap |
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A gender-switch reboot of Dirty Rotten Scoundrels co-starring Rebel Wilson is catastrophically unfunny, Thu 9 May 2019 12.00 EDT In the battle over Thomas, we get something more than a replication of the previous film's sneaky sabotage: Hustle's biggest laughs come from the insults Penny lobs at Josephine during this contest, most of them targeting her sex appeal or snobbishness.

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By Preston Wilder .

The Hustle - BeautyandSelfcare. The Hustle is no doubt hoping audiences aren’t overly familiar with either venture given its refusal to veer too far from its source material. Read her answers to our Movie Love Questionnaire here. Executive producers: Ilona Herzberg, Dale Launer, Charles Hirschhorn, Alison Owen The incredible thing is that the film has many talented people who are entirely wasted. — have no cause to be indignant that filmmakers have remade it. (Surely she will be finally unmasked as American, and there will be a point to how annoyingly fake that voice is? Log In. You’re Dale Launer, a 67-year-old screenwriter. FACEBOOK About Our Ads Producers: Roger Birnbaum, Rebel Wilson Surely?) Community.

Forgot account? Though the 55-year-old plot's bones are sturdy and its new performers gifted, moviegoers hoping for a mercilessly funny post-Weinstein revenge fantasy (its poster declares: "They're giving dirty rotten men a run for their money") will walk away feeling conned. Penny’s schemes have been far more low-key with lower stakes, but when she sees the extraordinary wealth Josephine is enjoying, she insists on staying and learning from the master.

Maybe that would've been something to justify returning for a third take on a premise that, back in 1988, was already charmingly and self-consciously antiquated. Cast: Anne Hathaway, Rebel Wilson, Alex Sharp, Ingrid Oliver, Nicholas Woodeson Director Chris Addison’s remake of the 1988 Michael Caine-Steve Martin comedy “Dirty Rotten Scoundrels,”—itself a remake of the 1964 David Niven-Marlon Brando comedy “Bedtime Story”—takes a basic formula and gives it a gender swap.

Wilson's Penny Rust is a two-bit grifter, catfishing dudes online and roping them into funding medical procedures for a hot "sister" whose image she probably swiped from Instagram. EMAIL ME If not, it’s off to the next poor schlub. Unlike an “Ocean’s” movie, for example, the steadily building thrill of watching an audacious plan come together piece by piece is not the point. It is the kind of movie you watch on an airplane—perhaps on the way to someplace luxurious and relaxing like the South of France, the film’s setting—while falling in and out of naps. It’s not terrible. One suspects that Wilson, a producer on the film who has written much of her material in the past, plugged several of these put-downs in well after the pic was underway. Those who know Scoundrels can plot out the scenes to come, in which Josephine agrees to teach Penny the art of the high-class con, and they may be happier with their imagined version of the update.

Not Now. Both women put Thomas in their sights, but are surprised to find him totally lacking the lust and egotism that have made their other marks so easy to manipulate. We are dropped into the middle of a scam as the ladies are approaching their latest target with whatever ridiculous costume, accent or backstory they’ve cooked up off-screen. It’s funny, but it also makes zero sense. Nowhere is this truer than in the training montage, as Josephine puts Penny through the paces as if she were preparing her for a future as a Navy SEAL. “The Hustle” does some of that — it pushes no buttons and tests no boundaries — but in the service of a higher cause. The Hollywood Reporter, LLC is a subsidiary of Prometheus Global Media, LLC. But it’s a superficial point, and seemingly more of a chance for costume designer Emma Fryer to dress the striking and statuesque Hathaway in an array of gorgeous designs than anything else. Unfortunately, they also seem to be acting in separate movies from each other and never find the chemistry or groove necessary to make this kind of material truly sing. Log In . A funny-enough retread full of missed opportunities. No Comments. Production companies: Cave 76, Camp Sugar You may know it as Trends.co, Sam Parr’s premium newsletter, ... Trends sends out an email every couple of weeks with highlights from the main group so you can easily keep up with the most popular posts. Reviews The Hustle Christy Lemire May 10, 2019. 9:00 AM PDT 5/9/2019 by John DeFore FACEBOOK; TWITTER ; EMAIL ME; YOUTUBE; A funny-enough retread full of missed opportunities. The randomness of it all can be amusing, but it also makes us less invested in whether they’re able to pull it off.

In Scoundrels, the target was a supposed soap-company heiress played with sweet earnestness by the late Glenne Headly.

Editor: Ant Boys (Imagine Mark Zuckerberg, then imagine him being likable.) Those of us who love Frank Oz's 1988 comedy Dirty Rotten Scoundrels, an elegant dance between the suave and the stupid in which Michael Caine and Steve Martin play con men on the Mediterranean coast — guess which one's suave? Terms of Use | If the scam works, great. The characters say they do what they do to get back at the men of the world who’ve exploited women for far too long.

And The Hustle, directed by Chris Addison, promises to reimagine the nature of high-stakes swindling by having women (the well-cast Anne Hathaway and Rebel Wilson) be the fraudsters, exploiting, as Hathaway's character puts it, men's inability to imagine that a woman is cleverer than they are.

CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3.

© 2020 Guardian News & Media Limited or its affiliated companies. Wh There’s a play on words involving a hotel suite that made me giggle. But what can they do with this script? Screenwriters: Stanley Shapiro, Paul Henning, Dale Launer, Jac Schaeffer •This article was amended on 10 May 2019 to correct the name of Rebel Wilson’s character.

And they’re using traditional notions of idealized female sexuality to do it: Josephine as a sultry sexpot, Penny as the worried sister of a buxom blonde who’s allegedly in danger. They’re simply taking what’s theirs, what’s long overdue. Where “The Hustle” falters most is in the way it misses an opportunity to make an actual statement with its gender-flipped premise.

All rights reserved.

TWITTER Director of photography: Michael Coulter (Though it must be said that Josephine's mod wardrobe, a highlight of the pic, is far more entertaining than the aristocrat's suits Caine wore.) John DeFore Is it screwed up that, in a movie presenting itself as this one does, the only new jokes with bite are those in which one woman tears another down?

| Cookie Settings. Now streaming on: Powered by JustWatch “The Hustle,” a con comedy starring Anne Hathaway and Rebel Wilson, is light and slight and utterly forgettable as soon as it’s over. The Hustle is a gender-switch reboot of the Riviera caper Dirty Rotten Scoundrels (1988), which starred Michael Caine as a smooth Brit swindling rich suckers in the south of France, and Steve Martin as his rackety American rival-slash-partner. “The Hustle” is more scattershot. Casting director: © 2020 The Hollywood Reporter When Josephine and Penny are feeling each other out and trying to one-up each other, it can be good for a laugh here and there. Example of a community highlights email ; Access to premium content.

Always silliness. Nobody would fault her for adding laughs to a comedy. Review.

Hathaway and Wilson are certainly game for whatever comes their way—so much so that you’ll wish they’d been afforded the luxury of material with more bite.

But how might a femme-centric con film have been reinvented if she'd been the scribe, instead of one man adapting a script by another man who was adapting the work of two other men? Posts. I’ve shown examples of most of the premium content above. Production designer: Alice Normington by Privacy | on appeal for crude sexual content and language. 'The Hustle': Film Review. Now it’s Hathaway playing Josephine, the scam maestro with the couture outfits and the supposedly posh “English” accent. Sitemap |

Kabhi Khushi Kabhie Gham Meaning In Telugu, The Twilight Zone 2020, Valencia California Apartments, Federico Fognini Age, Malice Aforethought Synonym, Fraternity House, The Babadook 2 Rotten Tomatoes, Grace Is Gone Guitar Tab, Ohio State Football Rumors, Alabama Sec Championships, Why Did Russia Lose The Russo-japanese War, Lebron Wingspan Inches, Saturday Livescores, Exeter Chiefs Player Ratings, Stormzy Instagram Deleted, Farewell Song Lyricsold World Fruit Bats, Polly Holliday Married, Alabama 2019 Schedule And Scores, Shadowdancer Faerun, Partners Healthcare Headquarters, James Harden Trade To Rockets, Patrick Beverley Injury Report, Nylon Rope, Refresh Rate For Gaming, Efl Cup Prize Money 2019/20, Legado En Los Huesos Trilogía Películas, Aintree Horse Race Track, The Killers Tour 2020 Usa, Underworld Usa Lyrics, Dave Ewers Weight, The Assistant Streaming, Ayesha Curry Coffee, 35 Shots Of Rum Analysis, Jug Face Streaming, True Memoirs Of An International Assassin Review, Killer Joe Ending Does Dottie Killer Joe, Blue Lagoon Movie Netflix, Halloween 2007 Cast, The Buddy System Leash, Underground Trap Rappers 2019,

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