Nothing like Richard Hamilton’s iconic Just what is it that makes today’s homes so different, so appealing?, 1964, which uses collage to recreate a domestic scene that, despite inconsistencies in the scale and tone of its discrete elements, presents a wholly plausible scenario.
1956. To access this article, please, Access everything in the JPASS collection, Download up to 10 article PDFs to save and keep, Download up to 120 article PDFs to save and keep. Phomohobes’ image vocabulary is drawn from a vast archive of carefully cut-out figures, objects and body parts resuscitated mainly from the pages of 1970s and 1980s lifestyle, home décor, fashion and pornographic magazines, and books about space, ancient Egypt and pop psychology. Zu den Initiatoren des Zusammenschlusses zählte auch Richard Hamilton (1922 – 2011). I quickly decided that I did not want my Adam and Eve to be presented in the same way as Hamilton’s.
Two women can be seen outside of my room taking “selfies” of terrible situations. Ihr ironischer Titel, der offenbar einen Werbeslogan aufnimmt, ist wie die einzelnen Bildelemente der Collage das Versatzstück einer Konsumwelt, die sich in den Jahren nach dem Zweiten Weltkrieg in den USA entwickelt hat und prägend für den Lebensstil der Middle class im Westen geworden ist. 25 x 25 cm. Richard Hamilton uses popular images and symbols as fodder to explore an interior realm and to comment on the rapid and fundamental change of everyday existence. United States | 25*26 cm (W*H) | Collage auf Papier |, «Television-Art or anti-art?
where forms may be laden with, or completely devoid of meaning—a strangely utopian proposition. The aids pandemic is also highlighted as well as modern technology in that of the microwave and satellite TV.
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Using American magazines, Hamilton created a list of catagories that he planned to incorporate into the image, Man, Woman, Food, History, Newpapers, Cinema, Domestic Appliances, Cars, Space, Comics, TV, Telephone, Information. that charges the composites with a narrative potential. is a collage by English artist Richard Hamilton. Distancing Phomohobes’ work from the preexisting images from which they are assembled is a “problematic tension”((Jason Cawood, interview with the author, 22 December 2016.)) We do less house work, we cook less food and some of us can’t even be bothered to walk anymore. High resolution images of Pluto were taken in 2015 and I have used this as my lightbulb in homage to Hamilton’s inclusion of Jupiter in his 1992 piece.
Beginning with a simple template I looked for relevant imagery and noteworthy news to include within. Bedroom Spoon, 2012, bears a passing resemblance to Hamilton’s famous collage, with an oversize, black and white, bullet-bra and panty-girdle clad female figure and nude male figure in a wildly busy pink and green bedroom. Similarly another couple wanted an old house but couldn’t afford it, so they furnished the house they actually purchased with antique looking objects to make it more similar to the house they would have bought if they had had the money.By contrast an elderly person failed to understand any of this since for her identification could only come from the longevity of the actual …
It is speculated that a new planet could be orbiting the Sun in our solar system, Planet X. Aside from the financially related historical subject matter, Hamilton also identifies the specter of Communism as the planet that doubles as the household’s ceiling. The ceiling of the room is a space-age view of Earth. It measures 10.25 in (260 mm) × 9.75 in (248 mm).
Just what is it that makes today's homes so different, so appealing? Even relatively restrained pieces like the elegant Heart Dress, 2012, which combines an illustrated diagram of a human heart and a long, full turquoise skirt to create a Jordorowskian Virgin Mary who stands against washed-out landscape of green-greys and soft oranges, or Underthings, 2012, obtained by cutting two figures from the men’s underwear section of a Sears catalogue and trimming body parts until their composite form curves gracefully, echoing the soft-focus mountains in the background, have an uncomfortable quality about them. 2014. This Mars-like crescent is unassumingly present, hovering over and haunting the American family with the ambiguous signifier of all that was alien during the 1950s: communism. There has been very little change between now and 1992 besides transgender and gay people being slightly more accepted now as opposed to then. Source: Notes in the History of Art 9, no.
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