In 2014, it was included by the Library of Congress in the National Recording Registry as "culturally, historically, or aesthetically significant". Januar 2019 um 19:53 Uhr bearbeitet. [79] It has been compared to Radiohead's earlier style on Pablo Honey. Midway through the tour, Brian Eno commissioned them to contribute a song to The Help Album, a charity compilation organised by War Child; the album was to be recorded over the course of a single day, 4 September 1995, and rush-released that week. "[66] Yorke compared the opening of the song, which mostly features his singing paired with acoustic guitar, to Johnny Cash's At Folsom Prison.
Greenwood said, "I got very excited at the prospect of doing string parts that didn't sound like 'Eleanor Rigby', which is what all string parts have sounded like for the past 30 years.
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[66] The song was also inspired by Chomsky's Manufacturing Consent, a book analysing contemporary mass media under the propaganda model. [121] It also saw Radiohead's first headline Glastonbury Festival performance; despite technical problems that almost caused Yorke to abandon the stage, the performance was acclaimed and cemented Radiohead as a major live act.
"[1] Yorke said at the time: "We could really fall back on just doing another miserable, morbid and negative record lyrically, but I don't really want to, at all. The reissue came in two editions: a 2-CD "Collector's Edition" and a 2-CD 1-DVD "Special Collector's Edition".
The string section, composed by Jonny Greenwood and written for 16 instruments, was inspired by modern classical composer Krzysztof Penderecki's Threnody to the Victims of Hiroshima. "[4] O'Brien said the song was about the promotional cycle of touring: "After a while you feel like a politician who has to kiss babies and shake hands all day long."[27].
"[226] The A.V. [180] It was previously ranked at 162 in 2003[181] and 2012.
[30][53][54] Jonny Greenwood said: "I think one album title and one computer voice do not make a concept album. [27] He said: This is about the unspeakable. [32] The lyrics depict a man surviving an aeroplane crash[81] and are drawn from Yorke's anxiety about transportation. "[90] The song's gentle mood contrasts sharply with its harsh lyrics;[91][92] Steele said, "even when the subject is suicide ... O'Brien's guitar is as soothing as balm on a red-raw psyche, the song rendered like a bittersweet child's prayer.
It was also nominated for Best British Album at the 1998 Brit Awards. [14], In early 1996, Radiohead recorded demos for their third album at Chipping Norton Recording Studios, Oxford. [106] In keeping with the band's then-emerging anti-corporate stance, the production credits contain the ironic copyright notice "Lyrics reproduced by kind permission even though we wrote them.
"[39] The "unexpectedly bluesy waltz" draws to a close as the guitars drop out, leaving only drums and bass, and concludes with the sound of a small bell.
They weren't really into it. "[1] Yorke recalled: "when we first gave it to Capitol, they were taken aback. Die Collector's Edition beinhaltet außerdem eine zweite CD, auf der folgende Titel zu finden sind: "OK Computer" markiert einen Wechsel in der Bandgeschichte. It's also about an enormous fear of being trapped. All tracks are written by Thom Yorke, Jonny Greenwood, Philip Selway, Ed O'Brien and Colin Greenwood. [56] The song's lyrics are, Yorke said, "about that feeling that you get when you're in transit but you're not in control of it—you just go past thousands of places and thousands of people and you're completely removed from it."[62].
Chart, Foo Fighters Follow", "Radiohead tops list of best-selling albums in independent record stores - Independent.ie", "Radiohead Officially Release 18 Hours of Leaked 'OK Computer' Sessions", "ARIA Charts – End of Year Charts – ARIA Charts – End of Year Charts – Top 100 Albums 1997", "Year in Focus – European Top 100 Albums 1997", "ARIA Charts – End of Year Charts – ARIA Charts – End of Year Charts – Top 100 Albums 1998", "Year in Focus – European Top 100 Albums 1998", "ARIA Charts – Accreditations – 1997 Albums", Australian Recording Industry Association, "Ultratop − Goud en Platina – albums 2007", "Canadian album certifications – Radiohead – OK Computer", "InfoDisc : Les Meilleurs Ventes d'Albums "Tout Temps" (33 T. / Cd / Téléchargement)", "French album certifications – Radiohead – OK Computer", Syndicat National de l'Édition Phonographique, "Italian album certifications – Radiohead – OK Computer", "RIAJ > The Record > June 1998 > Certified Awards (April 1998)", "Dutch album certifications – Radiohead – OK Computer", Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers, "New Zealand album certifications – Radiohead – OK Computer", "IFPI Norsk platebransje Trofeer 1993–2011", "Guld- och Platinacertifikat − År 1987−1998", "The Official Swiss Charts and Music Community: Awards (Radiohead; 'OK Computer')", "British album certifications – Radiohead – OK Computer", "American album certifications – Radiohead – OK Computer", International Federation of the Phonographic Industry, The Most Gigantic Lying Mouth of All Time, The King of Limbs: Live from the Basement, Grammy Award for Best Alternative Music Album, https://en.wikipedia.org/w/index.php?title=OK_Computer&oldid=982901221, United States National Recording Registry recordings, Alternative rock albums by British artists, Short description is different from Wikidata, Album articles lacking alt text for covers, Pages using multiple image with auto scaled images, Certification Table Entry usages for Argentina, Certification Table Entry usages for Australia, Certification Table Entry usages for Belgium, Certification Table Entry usages for Canada, Certification Table Entry usages for France, Certification Table Entry usages for Italy, Certification Table Entry usages for Japan, Certification Table Entry usages for Netherlands, Certification Table Entry usages for New Zealand, Certification Table Entry usages for Norway, Certification Table Entry usages for Spain, Certification Table Entry usages for Sweden, Certification Table Entry usages for Switzerland, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Certification Table Entry usages for Europe, Wikipedia articles with MusicBrainz release group identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 October 2020, at 01:59.
The album initiated a stylistic shift in British rock away from Britpop toward melancholic, atmospheric alternative rock that became more prevalent in the next decade. [4] Although Godrich had sought to focus his work on electronic dance music,[15] he outgrew his role as advisor and became the album's co-producer. Feeling every emotion is fake.
Yorke explained, "If I'm shown some kind of visual representation of the music, only then do I feel confident. [199], OK Computer's popularity influenced the next generation of British alternative rock bands,[nb 5] and established musicians in a variety of genres have praised it. The band's guitarist Ed O'Brien estimated that 80 per cent of the album was recorded live.
"[40] For the lyrics, Yorke drew from his time as an orderly in a mental hospital during the Care in the Community policy of deinstitutionalizing mental health patients, and a New York Times article about serial killers.
Pepper's Lonely Hearts Club Band, had so many major critics agreed immediately, not only on an album's merits, but on its long-term significance, and its ability to encapsulate a particular point in history. Or rather every emotion is on the same plane whether it's a car advert or a pop song. "[192] According to Amy Britton, the album "showed not everyone was ready to join the party, instead tapping into another feeling felt throughout the UK—pre-millennial angst. "[212] David Cavanagh said that most of OK Computer's purported mainstream influence more likely stemmed from the ballads on The Bends. [131] "Let Down", considered for release as the lead single,[132] was issued as a promotional single in 1997 and charted on the Modern Rock Tracks chart at number 29.
We left feeling fairly euphoric.
He said the public reaction to the death of Princess Diana was more significant, as a moment when the British public realised "the royals had had us by the balls for the last hundred years, as had the media and the state.
David Stubbs said that, where punk rock had been a rebellion against a time of deficit and poverty, OK Computer protested the "mechanistic convenience" of contemporary surplus and excess. [58] The song's references to automobile accidents and reincarnation were inspired by a magazine article titled "An Airbag Saved My Life" and The Tibetan Book of the Dead. Treppenabgang (mit Parkplatz) Sie können uns einfach anrufen und wir vereinbaren einen Termin 02233 978892. Jonny Greenwood plays his guitar part in a different time signature to the other instruments. [4] Godrich said of the Help Album session: "Those things are the most inspiring, when you do stuff really fast and there's nothing to lose. Versandkosten und ggf.
I was the first person to tire of it, then six months later everyone in the band was saying it. OK Computer is the third studio album by English rock band Radiohead, released on 21 May 1997 on EMI subsidiaries Parlophone and Capitol Records.
Reviews in AllMusic,[223] Uncut,[229] Q,[228] Rolling Stone,[227] Paste[225] and PopMatters[231] praised the supplemental material, but with reservations.
OK Computer ist das dritte Studioalbum der britischen Band Radiohead.
Rolling Stone,[146] Spin,[42] the Los Angeles Times,[144] the Pittsburgh Post-Gazette,[152] Pitchfork[145] and the Daily Herald[153] published positive reviews. Having deemed it "self-regarding" and overrated, he later warmed to the record and found it indicative of Radiohead's cerebral sensibility and "rife with discrete pleasures and surprises".
[56][74] The title and lyrics to "Karma Police" originate from an in-joke during The Bends tour; Jonny Greenwood said "whenever someone was behaving in a particularly shitty way, we'd say 'The karma police will catch up with him sooner or later.
"[55] He was nevertheless pleased that listeners identified the album's influences: "What really blew my head off was the fact that people got all the things, all the textures and the sounds and the atmospheres we were trying to create. Das Album erschien am 13.
The special edition includes books of artwork and notes and an audio cassette of demos and session recordings, including previously unreleased songs. Other than the song "Lucky", recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mostly in the historic mansion St Catherine's Court. [62] The song was written by Yorke after an unpleasant night at a Los Angeles bar, where he saw a woman react violently after someone spilled a drink on her. That's how we deal, that's how I deal with stuff, I bury it. [105] The liner notes contain the full lyrics, rendered with atypical syntax, alternate spelling[82] and small annotations. [39] He described the sound of Bitches Brew to Q: "It was building something up and watching it fall apart, that's the beauty of it.
[65], William Shakespeare's Romeo and Juliet inspired the lyrics for "Exit Music (For a Film)".
[195] Alex Ross said the album "pictured the onslaught of the Information Age and a young person's panicky embrace of it" and made the band into "the poster boys for a certain kind of knowing alienation—as Talking Heads and R.E.M. Despite lowered sales estimates by EMI, who deemed the record uncommercial and difficult to market, OK Computer reached number one on the UK Albums Chart and debuted at number 21 on the Billboard 200, Radiohead's highest album entry on the US charts at the time, and soon earned a 5× platinum and double platinum certification by the BPI and RIAA, respectively.
"[201], The album inspired a radio play, also titled OK Computer, which was first broadcast on BBC Radio 4 in 2007. Juni 1997 auf Parlophone, einem Sub-Label der EMI, und wird dem Genre Britpop/Alternative zugerechnet. It is easy to be impressed by, but ultimately hard to love, an album that luxuriates so readily in its own despondency. "[19], The members worked with nearly equal roles in the production and formation of the music, though Yorke was still firmly "the loudest voice", according to O'Brien. "[32] Explaining the artwork's themes, Yorke said, "It's quite sad, and quite funny as well. "[30], The band made extensive use of the different rooms and acoustics in the house. [4] Jonny Greenwood described OK Computer as a product of being "in love with all these brilliant records ... trying to recreate them, and missing". It was at the core of what we were trying to do with OK Computer. The stupid thing was that we were nearly finished when we'd move on, because so much work had gone into them. [28] He said: "I saw the Zeffirelli version when I was 13 and I cried my eyes out, because I couldn't understand why, the morning after they shagged, they didn't just run away. [121], "Karma Police" was released in August 1997 and "No Surprises" in January 1998. [130] Radiohead planned to produce a video for every song on the album, but the project was abandoned due to financial and time constraints. The band sampled the drum track with a sampler and edited it with a Macintosh computer, inspired by the music of DJ Shadow, but admitted to making approximations in emulating Shadow's style due to their programming inexperience.
[119] The tour took the band across the UK and Ireland, continental Europe, North America, Japan and Australasia,[120] concluding on 18 April 1998 in New York.
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