I stared at the Quattrocento. Encyclopedia of World Biography. Frankenthaler was a dynamic artist whose work in the 1950s bridged the transition from Action painting to Color-Field painting. Throughout the 1960s and 1970s she continued to explore the use of large abstract forms and rich color in her canvases; but in this later work, Frankenthaler began to “flood” her canvases with color rather than staining them, a result of the artist’s switch from oil to acrylic paint. - Definition & Examples, What is a Self-Portrait? Artist Image: This content is subject to copyright. Her later exhibitions included lithographs and works on paper. In 1969 she enjoyed a major retrospective at the Whitney Museum of American Art.
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courses that prepare you to earn Still, her goal was to capture emotion through the use of color without using scenes or subjects.
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Biography.
Helen Frankenthaler, one of the most important artists of American Abstract Expressionism, was born in New York City in 1928. Helen Frankenthaler was born on 12 th December, 1928, in New York City. In 1950 she met the formalist art critic Clement Greenberg, who proved instrumental in acquainting Frankenthaler with leading figures in the New York art world such as Jackson Pollock and Willem de Kooning. This technique, known as the stain technique, strongly contrasted with the use of impasto that characterized most Abstract Expressionist painting, and it seriously influenced the colour-field painters Morris Louis and Kenneth Noland.
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Two excellent retrospectives of her work are John Elderfield, Frankenthaler, Harry N. Abrams, Inc., 1997; and Ruth E. Fine, Helen Frankenthaler: Prints, Harry N. Abrams, Inc., 1993. By the time she was sixteen, she decided to become an artist, enrolling in Bennington College in Vermont, where she studied under Paul Feeley, who was fundamental in arranging exhibitions of Abstract Expressionists. In the years that followed, Frankenthaler continued using the new method she had developed, drawing on her abiding love of landscape for inspiration. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley.
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