Gracias por subir la película. In a sense, he is: Rivette is constantly engaged in a dancelike tug-of-war for control of the shot with the film’s virtuosic cinematographer William Lubtchansky, whose loving, lingering attention to the glow of sunlight on faces, streets and strands of hair counterbalances the director’s love of acrobatic camera movements. There’s fate and chance, of course, but also role-playing and performance, cinema and surveillance, and the thin line between gameplaying and real life. At least four film posters are seen in the film: The Big Country (1958), La Prisonnière (1968), The Silent Scream (1979), and Kagemusha (1980). Le Pont du Nord is a 1981 French film directed by Jacques Rivette. His favorite obsessions are stamped all over Le Pont du Nord, which tags alongside the two women as they amble around Paris, follow a mysterious map to an uncertain goal, dream up imaginary conspiracies, and run afoul of real ones. Less magicians than hypnotists, these filmmakers pile on narrative coincidences and convince us that they are the result of some unseen order; they portray the impossible not through technological wizardry, but by sheer force of will. Rated the #25 best film of 1981, and #1648 in the greatest all-time movies (according to RYM users). As usual, the story was jointly conceived with Rivette's collaborators, including Bulle Ogier, Pascale Ogier, Suzanne Schiffman and Jérôme Prieur, while the screenplay was written by Rivette. While we’re at it, if Bulle Ogier submits too readily to the logic of that first encounter, could it be because she’s still under the spell that forced her to enact the same somnambulistic household drama day in and day out in Rivette’s Celine and Julie Go Boating? Max Nelson It is one of director Jacques Rivette's most mysterious and haunting works, a dark companion piece to Celine and Julie Go Boating (1974). Death is the chief subject of comedy, and at the same time the tragedy for which all comedy exists to compensate; it’s something at once unspeakably awful and unspeakably trivial, unimaginable even as it serves as the basis for all other imaginings. ''Le Pont du Nord'' is the newest film by Jacques Rivette, a French film maker highly regarded in French critical circles but whose recent films seem to … Le Pont du Nord is a 1981 French film directed by Jacques Rivette. It crosses the river Gardon near the town of Vers-Pont-du-Gard in Southern France. In Franju’s Judex, a splash of moonlight was enough to transform a gang of catsuited robbers into disembodied shadows, just as in Pont du Nord a line of dialogue turns an unlucky Parisian passerby into an enemy spy, a cobweb into a curse of eternal sleep, and, in one of the film’s most exhilarating comic sequences, a theme-park ride into a fire-breathing dragon. Le Pont du Nord s'efforce de cr�er des passerelles entre les pays, les cultures, les mentalit�s et les g�n�rations qui s'ignorent ou s'affrontent, gr�ce � des manifestations culturelles o� le langage universel de la musique est toujours pr�sent Le Pont du Nord (1981) is an entrancing puzzle film with the city of Paris as a continually shifting game board. Time in Le Pont-du-Leu is now 07:29 PM (Thursday) . Le Pont du Nord (1981) is an entrancing puzzle film with the city of Paris as a continually shifting game board. Calificación de TMDb 7 12 votos. Le pont est inscrit monument historique. She pauses. Le Pont du Nord est un film réalisé par Jacques Rivette avec Pascale Ogier, Joe Dann. I can take one step left, then two steps right.” She’s right, up to a point: Rivette’s films, and Le Pont du Nord in particular, give one the sense of having been dreamt up on the spot, by a delicate process of collaboration rather than by any single auteurist design. https://en.wikipedia.org/w/index.php?title=Le_Pont_du_Nord&oldid=1018928009, French avant-garde and experimental films, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 20 April 2021, at 16:58. Interactive map of Le Pont-du-Leu. Le pont du nord. Digressions become key narrative strands, which spawn still more digressions, and so on. Marie (Bulle Ogier) sort de prison. Starring: Jean-François Stévenin, Pierre Clémenti, Pascale Ogier, Bulle Ogier. Baptiste (Pascale Ogier) says she comes from somewhere else and intends to live by her own rules. At the time of Le Pont du Nord’s release, Rivette said of the capital-W Woman that is the subject of his films that she is a modern day Penthesilea (the name of an Amazonian queen in Greek mythology). By Andréa 18 diciembre, 2019 Accede para responder. He adjusts the film’s rhythm to that of his actors as they digress, improvise, and goof off; the resulting experience is not an absence of structure, but a mass of competing structures, shifting, colliding, and canceling one another out. But if this willful absence of narrative context leaves us a bit lost, it is a pleasant sort of lostness—giving us the right to imagine possibilities rather than absorb information. M other and daughter performers Bulle and Pascale Ogier star as an appropriately mismatched duo in Jacques Rivette’s inventive outdoor fantasy Le Pont du Nord.Much like Bulle’s claustrophobic character Marie, Rivette’s film can’t bear to enter enclosed spaces: in one of its best scenes (captured in a single, breathless long take) Marie swoons and sways her way through an … Le site du pont, en amont et en aval, du pont de fil au pont Napoléon, fait partie d'un site classé au titre de la loi du 2 mai 1930 pour 66 hectares, par l'arrêté du 15 mai 19506. When she and Marie later discover a mysterious spiral map divided into squares, are they taking a peek at the director’s editing plan for that earlier scene? Advertising. Patrick Maillot, 43 ans, grimpe doucement vers le nord. The local timezone is named " Europe/Paris " … Find event and ticket information. When one especially cold night forces the agoraphobic Marie to seek shelter indoors, she makes a beeline for the cinema: there, she can watch the screen and ignore the walls altogether, as if the space of the movie was a natural continuation of the space of the world outside. The camera has a tendency to set moments in stone, to state with certainty that this happened and nothing else. Le Pont du Nord Rating: 2.5 of 5 French New Wave director Jacques Rivette wove his fascination with conspiracies, games, and theater throughout his films, including 1981's Le Pont du Nord , which unfolds in the shadow of the political activism and idealism of the late-1960s. Le Pont-du-Leu in the region of Nord-Pas-de-Calais is a place in France - some 145 mi or ( 234 km ) North of Paris , the country's capital city . Títulos similares (2) comments. All this suggests a pathological fear of confinement—to a single, closed-in space, or (returning to Baptiste’s initial challenge) to a single choice, a single course of action. Collaboration with actresses is a means to the … It was added to the UNESCO's list of World Heritage Sites in 1985 because of its … Le Pont du Nord est un film français de Jacques Rivette sorti en 1981. À la rue et claustrophobe, elle tente de retrouver son compagnon. Each square recasts a real-life Parisian landmark as a potentially deadly challenge to be braved by both women with the solemn goofiness of children at play. Le Pont du Nord is not one of Rivette’s greatest works — honor goes to “Celine and Julie” or 1991’s “La Belle Noiseuse” — but it’s a useful compendium of his themes and it captures a very specific time, place, and sensibility. Sur le pont du Nord, un bal y est donné Sur le pont du Nord, un bal y est donné Adèle demande à sa mère d'y aller Adèle demande à sa mère d'y aller Non, non, ma fille, tu n'iras pas danser. Baptiste, a wide-eyed, leather-jacketed brunette, is trying to convince the older woman, a blonde with a penchant for red dresses and a longing for an absent lover, that their three unplanned meetings on the streets of Paris were fated according to some invisible plan: “One time, that’s an accident. Two times, that’s chance. [2], Marie (Bulle Ogier), a bank robber just out of prison, can no longer bear to live between four walls. Together, they investigate a surreal mystery that includes a briefcase stuffed with obsessive political intrigue, civic redevelopment, a huge mechanical, flame-spewing dragon and several characters all named Max. Voyage au pays de Dante. [1] The film stars Bulle Ogier and her daughter Pascale Ogier. Three times, that’s destiny.”. Early in Le Pont du Nord, Rivette films Baptiste circling the Place Denfert-Rochereau on her motorcycle and cuts excitedly between her face and that of the stone lion in the plaza’s center. “Death can also be a beginning. There has often been a tendency in French cinema to pursue some harmony between the fantastic, idealized world of the movies and the humdrum details of reality—from the New Wave back to the cinéma fantastique of Cocteau, Franju, and Feuillade. Out of the Rivette’s feature Le Pont du Nord comes a short film led by ghosts awoken by Paris’ expansive construction projects. This description of Le Pont du Nord was originally produced as a tool for students working on the film in the French Department at University College London. le pont du nord pas cher ⭐ Neuf et occasion Meilleurs prix du web Promos de folie 3% remboursés minimum sur votre commande ! “Don't try to understand,” Baptiste (Pascale Ogier) tells Marie (Bulle Ogier) 20 minutes into Jacques Rivette’s Le Pont du Nord. The breakdown into sequences is my own, as is the calculation of shots (n.b., I may well have miscounted them). In Rivette, the impetus for so many events is left unexplained and the outcomes of so many others left unrevealed and the camera is never allowed to document any moment with certainty: there is always some ambiguity, some key piece of information unfilmed and therefore left open to chance, choice, or luck. The short film Paris s'en va was made as a rehearsal in preparation for this film. Compartido 4 Facebook Twitter. Synopsis. It is one of director Jacques Rivette's most mysterious and haunting works, a dark companion piece to Celine and Julie Go Boating (1974). You can help Wikipedia by expanding it. The Pont du Gard is the highest of all Roman aqueduct bridges, as well as one of the best preserved. The horrors of slavery in America return in Antebellum, an audacious thriller that revives thorny questions of how to portray the past, Susan Sontag, Sweden, 1969; Kino Lorber, DVD & Blu-Ray, Framing the conversation: a quartet of critics and filmmakers reflect on trans film images, It's Academic: A.S. Hamrah and Blair McClendon join to discuss notable nominees, Read the reshuffled version of this essay, The Film Comment Podcast: Trans Cinema Roundtable, The Film Comment Podcast: At Home, Oscars Edition. The plot takes its structure from a French children's game, Game of the Goose (Jeu de l'oie), which overlays a makeshift design on a map of Paris. The action of Le Pont du Nord moves through about thirty-two locations in the course of the film's two hours, with more places appearing as inserts unrelated to the action.There is nothing spatially aberrant in these inserts, mostly of statues, which serve as commentary rather than as stages in an itinerary. Begin a new game,” Marie tells Baptiste as they pore over the map’s central square, the tomb. (Note that as a French given name Baptiste is masculine, but is here played by an actress.). Le pont est inscrit monument historique en 19265. It’s difficult to say more than that, because for everything you could say about Rivette’s attitude towards mortality, the opposite would likely be just as true. When death does enter into Le Pont du Nord, it comes off as casual, arbitrary, and totally unnecessary, and we don’t know whether to be comforted by its mildness or horrified by its lack of weight. “But in any case, it’s a very frightening game.”. It was released in France on 13 January 1982. Le Pont du Nord screens March 22 to 26 in a new 35mm print at BAMcinématek. If all of Le Pont du Nord’s games, rules, and neuroses point back to a single theme, it is the fear of death, and the possibility (or impossibility) of cheating it. The Pont du Gard is an ancient Roman aqueduct bridge built in the first century AD to carry water over 50 km to the Roman colony of Nemausus. Marie resists the suggestion that her life is pre-determined, and hops around spontaneously to prove it: “Look! However. The closest things to a narrative principle in Pont du Nord are the “trap squares” Marie marks on the map, with a confidence based equally on assumed knowledge, hearsay, and childhood memories: the inn, the pit, the bridge, the tomb, and, most fittingly, the maze. Could she be referring to the intentions of Rivette himself, the New Wave filmmaker famous for, among other things, staging just this sort of chance encounter? Récit d’une peur bleue : « Ma remorque était vide. He is known for partially improvising his films on the spot allowing for his actors to create some of the dialogue and scenarios. Une chanson de Pierre Mac Orlan interprétée par Germaine Montero Une exposition sur le cinéma italien est visible à la médiathèque de Pont-Aven jusqu’au 28 mai. on For Rivette, magic ought to be considered an extension of life, and city life in particular. Genres: Mystery. Elsewhere, Rivette’s camera bounds along with his heroines through the mazelike city streets as if he were their third partner-in-intrigue; when they try to outpace each other or push one another aside, he darts between them like a boxer warming up for a fight. Baptiste believes that it is fate; she must accompany Marie and protect her. This article related to a French film of the 1980s is a stub. March 19, 2013. En chemin, elle rencontre une jeune vagabonde à cyclomoteur, Baptiste (Pascale Ogier), sorte de Don Quichotte moderne venue d'"Ailleurs-les-Oies". That film, too, began with a chance run-in on the streets of Paris, and likewise felt expected, as if it had been modeled on a still earlier encounter—and so on ad infinitum. Monte à sa chambre et se met à pleurer Son frère arrive dans un bateau doré Son frère arrive dans un bateau doré Il a remplacé le vétuste pont d'Eudes du XIe siècle plus à l'est1, dont il a permis la désaffectation puis le remplacement plus tard par la passerelle Saint-Symphorien. Le Pont du Nord is no exception and would reiterate the point of Rivette's carefree form of storytelling. Read full review Directed by: Jacques Rivette. Their paths cross three times in a matter of hours. Eventbrite - Calgary Cinematheque presents Le Pont du Nord (1981) - Thursday, 5 November 2020 at Globe Cinema, Calgary, AB. "Le Pont Du Nord" is at the tail end of this streak, and is a minor achievement in comparison. An unhinged female ex-con with a motorcycle helps a sickly young homeless woman discover where a mysterious map of Paris leads to. We never glimpse what brought the two women together in the first place, nor where the pair’s mysterious map leads, nor who’s behind the shadowy syndicate tracking them. It was released in France on 13 January 1982. There’s fate and chance, of course, but also role-playing and performance, cinema and surveillance, and the thin line between gameplaying and real life. His favorite obsessions are stamped all over Le Pont du Nord, which tags alongside the two women as they amble around Paris, follow a mysterious map to an uncertain goal, dream up imaginary conspiracies, and run afoul of real ones. 8 décembre 2006, 8 h. Des bourrasques fouettent le pont. 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