Help others learn more about this product by uploading a video! One, Vol. Being a Dylan fan for many years, it's nice to be able to hear this great album's lyrics so clear, and understandable with this mono recording. [37][38][39], One final session was held on August 4, again at Studio A. [59] Partially based on Sleepy John Estes' 1930 song "Milk Cow Blues",[58] the guitar part is patterned after older blues riffs by Robert Johnson, Charlie Patton and Big Joe Williams. I guess after listening to this set for 50+ years, I can safely call it a "forever must have" set. [106] For Stereo Review in March 1969, Robert Christgau included Highway 61 Revisited in his piece "A Short and Happy History of Rock", comprising his recommended rock "library" of 25 albums. Highway 61 Revisited so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. [87], Describing the process of listening to these many alternative versions, Chris Gerard wrote in PopMatters: "The fact that these versions do not approach the greatness of the final recordings is exactly the point. [8] Describing the experience to Robert Hilburn in 2004, nearly 40 years later, Dylan said: "It's like a ghost is writing a song like that ... You don't know what it means except the ghost picked me to write the song. [37][77] Heylin notes that Dylan took great care—sixteen takes—to get the effect he was after, with lyrics that subtly "[skirt] the edge of reason". Highway 61 Revisited is Bob Dylan's profile album. [71] The lyrics describe a nightmarish experience in Juarez, Mexico, where, in Shelton's words, "our anti-hero stumbles amid sickness, despair, whores and saints. "[101] The English poet Philip Larkin, reviewing the album for The Daily Telegraph, wrote that he found himself "well rewarded" by the record: "Dylan's cawing, derisive voice is probably well suited to his material ... and his guitar adapts itself to rock ('Highway 61') and ballad ('Queen Jane'). Ballad of a Thin Man: 3. [87], The Highway 61 Revisited out-takes from the first recording session in New York, June 15 and 16, 1965 comprise: ten takes of "It Takes A Lot To Laugh, It Takes A Train To Cry", six takes of "Sitting On A Barbed-Wire Fence", and fifteen takes of "Like A Rolling Stone". There was an error retrieving your Wish Lists. [50][51], The fast-paced, two-chord blues song "Tombstone Blues", driven by Michael Bloomfield's lead guitar, uses a parade of historical characters—outlaw Belle Starr, biblical temptress Delilah, Jack the Ripper (represented in this song as a successful businessman), John the Baptist (described here as a torturer), and blues singer Ma Rainey who Dylan humorously suggests shared a sleeping bag with composer Beethoven—to sketch an absurdist account of contemporary America. And the backing, though ragged, is precisely right. [112], The influence of the songs on Highway 61 Revisited can be heard in many cover versions. [119] The album was included in a "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)[120]—and in Robert Dimery's 1001 Albums You Must Hear Before You Die. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". [4] The highway had also been the subject of several blues recordings, notably Roosevelt Sykes' "Highway 61 Blues" (1932) and Mississippi Fred McDowell's "61 Highway" (1964). Reviewed in the United Kingdom on August 27, 2019. "Highway 61" seems to be regarded as one of his classics by most of the Dylan's fans, and indeed this has some great material. Genres: Folk Rock, Singer/Songwriter. Modifier l'album Reporter une erreur. "It Takes A Lot To Laugh, It Takes A Train To Cry" 2. Of the music's impact up to that point, Christgau added: When Dylan started writing "poetic" songs in the early Sixties, he inspired a lot of awful verbalizing, but he also inspired a songwriting revival that still flourishes. Epic for both folk and rock, and his writing is starting to peak. Just Like Tom Thumb's Blues: 8. He added, "I always felt like I'd started on it, always had been on it, and could go anywhere from it." Reviewed in the United Kingdom on July 11, 2010. Honest With Me "[48] "Like A Rolling Stone" reached number two in the Billboard Hot 100 in the summer of 1965,[49] and was a top-10 hit in Australia, Canada, the Netherlands, New Zealand, and the United Kingdom. But as I was hoping for the stereo pressing, I returned mine. Reviewed in the United States on July 19, 2004, Reviewed in the United States on March 5, 2021. [17] For lead guitar, the singer recruited Michael Bloomfield of the Paul Butterfield Blues Band. 7. Highway 61 Revisited peaked at No. 18 on Rolling Stone's "500 Greatest Albums of All Time". The singer added, "It's very tiring having other people tell you how much they dig you if you yourself don't dig you. Containing all the sorts of material he wanted to make and all the sounds he envisioned. From the epochal opening of "Like a Rolling Stone" through the absurdly apocalyptic closer, "Desolation Row," his command of surrealistic language was daring and amazing. There is not a weak track on this disc and it's legacy has lived on with just about every rock n roll troubadour of the last 40 years. ^ Shipments figures based on certification alone. [123], Most of the songs on Highway 61 Revisited have remained important, in varying degrees, to Dylan's live performances since 1965. Dylan was virtually gushing great songs when this masterpiece arrived in the summer of 1965. "[7], In May 1965, Dylan returned from his tour of England feeling exhausted and dissatisfied with his material. Two other songs, "Desolation Row" and "Highway 61 Revisited", were listed at No. "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. Rated #2 in the best albums of 1965, and #33 of all-time album.. 373 respectively. 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