Roger Ebert, awarded the film four out of four stars and praised the film for its simplicity, its portrayal of the leading female characters' friendship and Varda's direction: Varda’s title is a perfect one (and even more melodic in French: “L’une chante, l’autre pas”). They struggle, they smile, they cry. Pomme comes with her child and friends to spend some time on the farm, and so several generations are brought together as the two friends approach the middles of their lives. Suzanne is a pregnant country girl unable to support a third child. Reinier_Zouw’s review published on Letterboxd: Impeccable technicolor vibes and fun songs. One Sings, the Other Doesn't (French: L'une chante, l'autre pas) is a 1977 French film written and directed by Agnès Varda that focuses on the lives of two women against the backdrop of the Women's Movement in 1970s France. Agnès Varda's "One Sings, the Other Doesn’t" A newly restored version of Agnès Varda’s 1977 “feminist musical” and portrait of two extraordinary women, is … Pauline is a middle-class city girl, at odds with her very conventional family. Criterion Collection Edition #978. Carmen cut to four singers and 82 minutes to recapture the gritty It is an intimate and politically charged film […] In fact, the theft is even more glaring. Genre: All rights reserved. Learn more about the benefits of being Not any more. The film is a feminist musical. Here we have them, she says: Two women, friends, and one sings and the other doesn’t, but they’ll remain friends and sisters for all of their lives. The lives of Pomme, an aspiring singer, and Suzanne, a struggling mother, as they search for their own identity in 1970s France. Watch later. Two Frenchwomen (Valérie Mairesse, Thérèse Liotard) have a close friendship through years of personal growth and social change. Varda described One Sings, the Other Doesn’t as a musical, although it’s much less convincing in those terms than her 1962 feature Cléo from 5 to 7, which featured the heroine singing to piano accompaniment from Michel Legrand. Agnès Varda, France, 1977, 116 min., French w/ English subtitles . “One Sings, the Other Doesn’t” is an epic of female liberation. Two lives that are intertwined by a few moments. The photographer commits suicide and Suzanne moves away to live with her parents on their farm. Pauline, now known as Pomme (French: Apple), moves to Iran with her boyfriend Darius (Ali Rafie), but becomes dissatisfied with her life there and returns to France. three years ago in Paris. For more information, please visit TIME's Privacy Policy. Pomme is an aspiring singer. Today, especially in Europe, no self-respecting stage or opera director Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. Vibe: "One Sings, the Other Doesn't" is a happy, Disney-esque fairy tale musical, but with nudity, abortion, and suicide.At the time, it seemed to annoy many critics who found it unrealistic or too polarizing. In this story of friendship and reproductive rights, 14 years in the relationship between two very dissimilar women are chronicled. Paris, 1962. Become a Member Agnès Varda’s unsung feminist anthem is both a buoyant chronicle of a transformative friendship and an empowering vision of universal sisterhood. Varda … would think of missing an opportunity to reevaluate, re-interpret or If possible, verify the text with references provided in the foreign-language article. One Sings, the Other Doesn't (1977) U 03/09/1977 (FR) Drama, Music 2h User Score. If you check the "Remember me" box, you will be automatically signed in for 30 days to TIME.com when you visit in the future. 10/30/2016 0 Comments Stronger (What Doesn't Kill You). One Sings, the Other Doesn’t (L'une chante, l'autre pas), Dir. Its lyrical content mainly explores themes of empowerment and recovery following a heartbreak, with the chorus inspired by a Friedrich Nietzsche quotation: . Suzanne leaves the farm and opens a family planning clinic in Hyères, where she marries a local doctor. But it’s never less than absolutely essential. Originally titled as . Agnès Varda's ONE SINGS, THE OTHER DOESN'T - YouTube. These separate stories then continue past 1972 through what one of Varda’s own voiceovers calls “a quiet imaginary dialogue punctuated by postcards.” In One Sings, the Other Doesn’t a lot - perhaps, in the end, too much - is conveyed through these three sets of voiceovers. Even the depth of their friendship is to be taken on trust, as much a stated premise for … When seventeen-year-old Pauline (Valérie Mairesse) helps struggling mother of two Suzanne (Thérèse Liotard) procure the money for an abortion, a deep bond forms between the two, one that endures over the course of more than a decade as each searches for her place in the world—encountering the dawning of the women’s movement, dreamy boho musical numbers, and an Iranian adventure along the way. The relationship between two very dissimilar women are chronicled friendship and reproductive rights 14. Correspond by postcard rebellious 17-year-old girl, Sings in her high school club and wants to drop out a film! 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