Arturo O'Farrill/The Afro Latin Jazz Orchestra, Four Questions (Zoho) Votes: 18. Bill Holman’s ‘Ready Mix’ introduces the band’s star tenor soloist, the Coltrane-esque Steve Marcus, an 11-year veteran with the band, who is heavily featured throughout, as is the mercurial Gisbert. This may not be as well-known as Ah Um or Black Saint And The Sinner Lady, but it was a milestone for Mingus, and a milestone for jazz. Years before Miles Davis started wooing the rock and hippie crowds at the Fillmore and the Isle of Wight, there was another major jazz figure who was finding a ready audience among non-jazzers – Charles Lloyd. Latin 1. Riley is also good on the same long number, and introduces an unexpected double-time feel throughout the lively ‘Ruby My Dear’. Yet another surprise in the now-annual parade of previously unreleased gems from the big names of the past, this is especially interesting. Album of the Day. There's some rather clumsy saxophone double tracking on ‘Keep on Movin' On’ which puts Vick in a bit of a straitjacket compared to his freer blowing on the opening ‘What Makes Harold Sing?’ Yet even there he lacks the inner drive, instinctive groove and rhythmic funkiness of Scott's former husband Stanley Turrentine that's on every track the pair recorded in the previous decade, such as ‘Stanley's Time’ from the Hip Soul album. -Derek Smith, Beginning as a jazz-folk troubadour in the 1970s and culminating with his 1986 release of the new age synth masterpiece, “Keyboard Fantasies,” Beverly Glenn-Copeland has gone where the music has taken him. A Mt. Produced in conjunction with the musician's estate, the compilation presents 21 of the previously unreleased studio sides, transcriptions and private recordings from the parent 7CD/10LP set. These four songs recorded in 1977 contain perfect harmonies wielded in the name of pure love with dynamic grooves provided by Dan Brewster & The Soul-Masters. ) 2021 There are simply too many high spots to capture here, but right from the soulful ‘Hipsippy Blues’ which opens the disc (a backbeated minor blues that is a virtual definition of the labels ‘house’ style), through the groovy ‘Close Your Eyes’ and the way-up-there burning of ‘Jimerick’ you have all the elements that made Blakey and Blue Note's association so apposite. Two live sets, performed 11 years apart, not only give an excellent summary of Mingus' very individual approach to what we call composition; they also constitute excellent accounts of two of his most outstanding bands. THE BEST REISSUES 2020. Prince—Sign o the Times [Super Deluxe Edition] Strum & Thrum: The American Jangle Underground 1983-1987. Best Reissues and Compilations of 2020. For more information about subscribing to the database, please visit: jazzwise.com/subscribe. Featuring the 23-year-old Bridgewater blazing a gorgeous trail through such famous tunes as “People Make The World Go Round,” “Love From The Sun” and the title track, this music will put your blues to bed. Best Reissues. The front cover painting by Jacques Richez, of Lloyd with a psychedelic Afro, has likewise been reproduced beautifully. Greetings, No doubt, there is a lot to be concerned about this year; however, 2020 has also been quite a year for recorded music. The midnight noir grooves of “Tez Alegn Yetintu” swirl with quiet cool, while the … As a side note, there’s a beautifully-pressed and superb-sounding double LP version of the CD, which vinyl freaks are highly recommended to seek out. Jazz Without Boundaries is made possible by the power of member support. An album of Mitchell's early recordings, Archives Volume 1: The Early Years, was among the best archival releases of 2020. Stark and moody, the music finds itself somewhere between the opaque beauty of early 4AD and the liquid jazz-funk fashioned by Bill Laswell. The list of dramatis personae tells its own story: the cream of British jazz of the period assembled to play a series of imaginatively conceived compositions by Wakeman that effortlessly move between inside and outside playing, swaying majestically between the exposition of powerful, Mingus-like themes that dissolve into abstraction only to elegantly reassemble and power majestically on. (A part of the From Prince's peak opus to a revelatory jazz show at a California high school. Top 20 Jazz Albums of 2020 Jon Newey Friday, November 27, 2020 The ultimate guide to the year's best new jazz albums as voted for by Jazzwise's peerless panel of reviewers – including the complete original Jazzwise reviews. Cathy adds that this line-up, which had been together for two years or so, was “the hottest, tightest group that he [Rich] had had in a long time” and it shows. Quite simply, had they been originally released on Columbia's Lansdowne Jazz Series or on Deram back in the day (yes, I know they weren't around for the 1979 session, but humour me to make a point) people would be frantically bidding on eBay, happy to part with upwards of £175. The Best Jazz Albums of 2020 ← Older posts ← Older posts. Hood Community College+ OPB Partnership, Time to board a DC3 and fly into the brilliant blue of a Brazilian sky. It's revealing that, as well as the team of Mingus and Richmond, both these groups have a saxophone sparkplug plus a highly individual pianist, but it's a mistake to think of Jordan/Coles or Walrath as makeweights. Pylon: Box. Franchises. ‘A Foggy Day’, loosely inspired by Gershwin, has further free and free-length sections plus sound effects, while the three-minute ballad ‘Portrait Of Jackie’ is a pause for reflection before the longest item ‘Love Chant’, very distantly based on ‘Perdido’. Bill Cunliffe’s ‘Night Blood’ eases into a loping swing feel again carried by Amster ahead of a pleasingly complex Garling trombone solo and more excitable Bowlby. It sounds like a jam (Harry Beckett's albums were usually recorded in a packed day), and the materials are sketchy and generic – but I wrote on the original's liner notes, and would still happily declare: ‘Harry Beckett, whose attitude to his work is of the heart, not the head, is a musician with that elusive and indefinable magic of taste. Expensive at around £33, this Tone Poet (like the rest of the series) is nonetheless a worthwhile investment for collectors and hi-fi freaks alike. Four months later this same Messengers lineup would electrify the crowd at the Newport Jazz Festival. Sammy Nestico’s ‘Wind Machine’ is the opener, Rich kicking hard as he does throughout, Bowlby scattering notes, the ensemble shouting, as Gisbert trumps them all. He appeared at Fillmore West, but also at other hip venues across the States, and European festival organisers queued up to book appearances by his legendary quartet, which featured Keith Jarrett, Cecil McBee and Jack DeJonnette. The weakness of One For Me is demonstrated by the closing track ‘Don't Look Back’ which has an ambiguous time feel in the extended introductory section and then sounds tentative in the blowing part. Cafe Exil - New Adventures In European Music 1972 - 1980. Joni Mitchell, Joni Mitchell Archives — Vol. He never has to try too hard.’ John Fordham. Mingus' extraordinary, roiling bass is matched in its power by Roach's polyrhythms, but it's Duke who's the star. Vick just sounds bored, with nothing original to say, and Scott's changes in organ registration do nothing to spur him on. Best are those that unite these frosty percussive soundscapes with the female voice, tracks by Mariana Ingold, Estela Magnone and Travesía finding a breatless balance between light and dark. this collection of work by Kearney Barton. The reality is a bit different from the highlight reel. Bandcamp Navigator. Being reissued on purple vinyl doesn’t feel exactly the appropriate apotheosis of Pithecanthropus, whose programmatic title-track elaborates on Mingus’ storyline about Man’s vainglorious self-image and ultimate self-destruction. Peter Vacher. John Fordham. The Best of 2020’s Reissues, Part Two By Joseph Neff | Published: December 21, 2020 It seems the year’s lack of live shows might’ve played a role in the sheer number of performance documents on this list. An essential reissue of a hard-to-find album that no self-respecting jazz collection should be without. BEST REISSUES OF 2020. We Release Whatever The Fuck We Want continued to unveil numerous coveted reissues in 2020, all of which could easily have made this list. The Quietus Reissues, Compilations, Mixes etc. The consummation of another six tunes are also revealed – ‘Blue Rondo a la Turk’, ‘Strange Meadow Lark’, ‘Three To Get Ready’ and ‘Kathy's Waltz’ from Time Out that all contain elements that rival the issued masters, while ‘Watusi Drums’ appeared on The Dave Brubeck Quartet in Europe and ‘I'm In A Dancing Mood’, which the quartet had been playing since at least 1957 (on a broadcast from Chicago's Blue Note), also popped up again in live German radio broadcasts from Hannover in 1958 and Essen in 1960. And of course through it all weaves Surman, lyrical and singing on soprano, moodsome and mysterious on bass clarinet, massive on baritone. An album that deserves all the stars you can throw at it. There’s no better example than this collection of work by Kearney Barton, a producer whose fifty-plus years of recording work in the Seattle area ranged from Quincy Jones to The Ventures. It's gritty, strident, uncompromisingly ‘1970s urban’ yet also ‘spiritual’ both very much of its time and transcending it. Jazzwise Magazine, Copies of the record were handed out as souvenirs to passengers. There is a slight tonal difference in this reissue to the CD contained in Heavyweight Champion John Coltrane: The Complete Atlantic Recordings (1995), or John Coltrane Giant Steps of 1998 (this with the same alternative takes, but included on one CD that ‘celebrated’ Atlantic's 50th year) and the mono re-issue from 2017 (both digital and analogue). -Derek Smith, Let’s talk about the debt all vintage music lovers owe to reissue labels like the amazing Light In The Attic Records. have launched the Vital Vinyl series with UMe. Brian Priestley, Daughter Cathy Rich’s note reports that this session was recorded at Ronnie Scott’s in 1986 using the Rolling Stones’ mobile recording studio. As originally revealed by Monk biographer Robin DG Kelley, the teenage promoter of this Sunday-afternoon concert succeeded in bringing together a mixed-race audience during the tense times typified by the Democrat Convention the previous August. Discover our pick of the best Compilations and Reissues of 2020, featuring one-off Rough Trade Exclusive pressings and limited edition vinyl. The results are cooler, more contained than the Brit band which had its own bull-at-the-gate verve about it. Lists. The 1975 concert was out on a Japanese CD, while the 1964 set was initially on LP and then on CDs (reviewed twice in Jazzwise 143 and 200), but this reissue uses the original tapes from Radio Bremen. The NS is for Nasty, Natural So-called Soul! Of The Year 2020. -Derek Smith. The Jimi Hendrix … The trumpeter composed, arranged, conducted and produced the entire project, a testament to both his energy and his huge talents, and the sheer quality of the musicians involved means a splendid time is guaranteed for all. Bob Stanley & Pete Wiggs Present Occasional Rain [Ace] Highlight of the disc is undoubtedly Side Two’s opener, a cover of [Lloyd alumnus] Gabor Szabo’s ‘Lady Gabor’, retitled here as ‘Gypsy ’66’. ‘Glowing’ is an irresistably weaving, springy Caribbean dance; ‘Changes Are Still Happening’ is a lovely sighing ballad interlude accompanied only by Russell's acoustic guitar; ‘Bracelets of Sound’ shuffles a loose groove under a lazily sunlit melody that builds to a rocking crescendo; and ‘Rings Within Rings’ is a chattery Latin swinger featuring a deliciously slithery, squealy Beckett trumpet break. Seriously. The Best Jazz on Bandcamp: January 2021. If it’s Monk, then yes. Let’s talk about the service that especially LITA does by constantly unearthing and commending hardworking artists who never received their just desserts in their lifetime and giving the world an opportunity to be blown away by them, even shocked that history would take the course of forgetting them. This is the soundtrack for that flight across Brazil on Cruzeiro Airlines. Fortunately, his fortunes have changed over the last few years and this new compilation offers a look at the dazzling array of sounds he has made. A formidable percussion section featuring legendary congueros, Bobbby Matos and Victor Pantoja provides a steady moving carriage for the arrangements whose variety of themes, some short and stabbing, others long and winding, are well negotiated by a crack rhythm and horn section. It turned out to be her father’s final recording. Dulwich Road, But you’ve never heard it like this before. Always an underrated pianist, here he is at his elliptical, questing best, pushed into new territory by his much younger collaborators and framed by the small group setting. How could a session from March 1959 featuring Lee Morgan on trumpet, Hank Mobley on tenor, Bobby Timmons on piano, Jymie Merritt on bass and Blakey on drums just be hitting record stores in 2020? The only older item is ‘Faubus’ (now dedicated to Nixon's vicepresident Ford) but the longest and most individual piece is the kaleidoscopic ‘Sue's Changes’. It features all 11 of the singer’s Billboard Top 30 entries during this period, including the brilliant ‘I Love The Guy’ with the Norman Leyden Orchestra, and ‘These Things I Offer You’ with Percy Faith and His Orchestra. Be a part of it! -Derek Smith, Originally released in 1974 and saddled with a stock landscape photo for its cover, there is nothing stock about the quality of the playing on Jaman’s “Sweet Heritage.” Beginning with the exultant jazz gospel of the title cut, Jaman makes it quickly known to all jazz heads that he is a phenomenal pianist and an outstanding composer. 1: The Early Years (1963-1967) (Rhino) The first disc in … His second Black Jazz recording, Spirit of the New Land, is reissued now on CD and vinyl by American vintage-specialists Real Gone Music. Time Out, lest anybody needs reminding, was the first platinum-selling album in jazz, and the 45 rpm single from it, ‘Take Five’, coupled with ‘Blue Rondo a la Turk’, didn't do too badly on the charts either, edging out many of the pop stars of the day for a place on Billboards Hot 100. London, SE24 0PD. A rediscovered studio recording by the short-lived spring 1959 edition of Blakey's Messengers, which unlike other recent vault-retrievals, is a genuine ‘album’ rather than a sewn-together set of off-cuts. Billed as one of the few Ethiopian records to have been produced outside of the country in the early 1980’s, Sons of Ethiopia combines Fender Rhodes pianos, electric guitars, and synths for a laid back, mostly instrumental album that blends Ethiopian pop and jazz with more Western pop styles and production techniques. Acid Test. Where the differentiation lies between the jazz industry’s use of reissues and other genres’ is the jazz industry’s business model’s dependence on them. For the self-taught Westbrook, this was his first fully-scored piece, and it gave him the confidence to see himself as a composer, and not a ‘big band’ leader (a notion he still baulks at). After so many years of obscurity, let us hope this compilation introduces the transgender icon and pioneer of electronic soundscapes to a new generation of listeners. You can find out how they all voted in the December issue of Jazzwise – out now! So it's more than simply ‘interesting’ to hear the not-so-swinging gestation of this song on Time OutTakes; Morello nervously tapping out a Latin rhythm in 5/4 on his snare rim before swapping to tom toms, seemingly pounding the 5/4 rhythm, counted 1-2-3-1-2, into his subconscious. The rough sound of the four-piece line-up is an attraction, except perhaps on the straight one-chorus reading of ‘Abide With Me’, and the voicings of ‘Off Minor’ and ‘Epistrophy’ vouchsafe interesting amendments to the themes. While all of these Miles albums are musically significant and many are sonically excellent on both original pressings and on these reissues, the biggest sonic surprise was how much better the reissued quintet (Shorter, … The slight change in tone is probably attributable to the inevitable chemical changes in the composition of the original tapes that occur over time, but there is no appreciable difference in sound clarity. Kevin Whitlock. You canfind all of NPR Music's favorites from 2020 here.. Brief summary of the year in reissues and vault rediscoveries: There was an avalanche of them, across all genres and all eras. And that's exactly what Just Coolin' is: that much-touted thing – a truly ‘classic’ Blue Note. The Best Reissues And Box Sets Of 2020 . Best Soul. The quintet on the second pair of CDs had been in existence since late 1974 when Walrath replaced Hamiet Bluiett, and the programme reprises material from their studio recording Changes One/Changes Two but at much greater length. Big Ups. Beginning our rundown of the records that have seen us through the first half of 2020, these are our favourite archival releases and compilations of the year so far. David Fricke and Jon Dolan. On tracks such as ‘Black Spider Stomp’, the collection also serves as a powerful reminder of what an outstandingly good guitarist Oscar Moore was – a member of the Cole trio for 10 years and a DownBeat poll winner on more than one occasion in the 1940s. Songs such as ‘Thinking of You’ find Vaughan at her favoured, extremely slow, ballad tempo and stretching out the melodic line with singing of quite startling power. You won’t skip a single track. It's worth remembering that at this time Ellington was still primarily known as a bandleader and composer and was not associated with either small groups or with post-bop music, and it must have come as quite a shock to hear him in this setting back in 1962. Side One opens with an inspired cover of Kurt Weill’s ‘Speak Low’, driven by Jack DeJohnette’s propulsive drumming and Lloyd’s free-form riffing. Sandwiched between the Benny Golson/Moanin' edition of the group and its equally notable successor with Wayne Shorter in the tenor chair, this all-but-forgotten Messengers line-up might just be the apotheosis of hard bop. Short at around 39 minutes, this is a set with absolutely no filler, but that's the point: this killer is the very essence of hard bop. Best music of 2020 Jazz. And as a landmark in the history of jazz, it's unreservedly recommended. The original marketing schtick was that Scott had been shoehorned into playing music she did not want to, and being presented to her public in a manner she did not like. Talk about prophets unheard and all that – the groups Wakeman assembled here never got to play live, these dates were the only time they played together. (New West) The best reissue of 2020, for this writer at least, has to be this multi-disc set … He died just five months later. Featuring three originals by Mobley, one by Timmons in addition to two covers, the music on “Just Coolin’” absolutely cooks. Saint Etienne Presents Songs For The Fountain Coffee Room. Forget about why. Best New Reissues. My subjective list of the best reissues of 2020 list is pretty much the polar opposite of the most-collected reissues on Discogs, but at the same time represents a giant yet woefully overlooked faction of the Discogs Community: CD buyers. They should have been as big as The Delfonics. Best of 2020: Reissues & Compilations. 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